![]() The works: “7 Fragments for Georges Méliès, Day for Night and Journey to the Moon” (2003), a homage to the French silent movie pioneer, give an idea of the artist’s method of working. The large exhibition space showcases seven expansive multimedia installations. In the auditorium in the Mönchsberg building a classic work by William Kentridge, the film “10 Drawings for Projection” (1989–2011) made from charcoal drawings, serves as an introduction to the artist’s favorite themes. A new installation in the Rupertinum atrium will also remain in place for a full year. Multimedia installations are on view on the Mönchsberg, while works for theater and opera are being shown for the first time in a dedicated exhibition in the Rupertinum, across the street from the Haus für Mozart, where Kentridge is directing Alban Berg’s opera Wozzeck for the Salzburg Festival. The exhibition “Thick Time: Installations and Stagings” at the Museum der Moderne Salzburg is presenting a comprehensive survey of William Kentridge’s work. His close relationship with the theater, where he has worked as an actor, producer, set and costume designer, informs his visual art, and vice versa. For many years, Kentridge has been working successfully on major opera and theater productions. ![]() His oeuvre, which covers four decades, has featured different artistic disciplines. William Kentridge rose to prominence in the ‘90s with expressive drawings, which he animated in videos.
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